Marco Lucchi Modena, Italy
a mellow artist aging 66. He loves and releases eclectic music that goes from post-classical to drone. His fav device is the mellotron.
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We, so tired of all the darkness in our lives
by Leyland Kirby
supported by 4 fans who also own “Amor Fati”
One of the best albums to come out of Kirby's music career. I'm amazed that he managed to make drums sound melancholic. Absolutely amazing.
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A Room Now Empty
by Aaron Martin
supported by 4 fans who also own “Amor Fati”
I'm reminded of something my grandfather Oscar told me that I never forgot. He said that he thought the cello was the only instrument that sounded the closest to a human heart...breaking. And that holds so true on this record. Thank you Aaron for your beautiful cello, as well as all the other wonderful stringed instruments. If this is the new "electro-acoustic classical" count me on board!
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Imprints 1 & 2
by Simeon Walker
These almost heartbreakingly gentle felted piano compositions have the delicacy and loveliness of slow-falling snow.
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Going Home (Album)
by Tristan Eckerson
Completely improvised piano pieces that have a stunning warmth & beauty, as tender as a gentle embrace.
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Iris Arco (EP)
by Tristan Eckerson
Rippling and disarming piano ballads from this Cincinnati composer that knock you out with their beauty.
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Argentine composer and guitarist Francisco del Pino achieves a stunning art-song hybrid on the first album to be released under his own name.
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Originally composed for the stage, this dystopian jazz suite galvanizes AI-related anxieties into powerful, unsettling explosions.
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